It fits into typical bass, guitar, piano and drums type songs really nicely.
I'm finding it gives me the dryness that I like, without overdoing the artifacts or resonance that you get in some pianos that I don't like. My favorite for sound at the moment is "The Gentleman" in Komplete. However, when your playing back in the mix, velocity layers are less important because in a busy mix, you don't need all the different expressions which will be crushed by compression anyway. I use the Modart one for playing direct as that utilizes the full 127 midi levels due to modelling. What I've found with velocity layers is that when your playing the instrument, velocity layers are so important for feel. Most of the current Rhodes releases are all quite good. It really comes down to personal taste. It seems to have more grit than the Classic EP88. More importantly, provided you have a fast computer, it plays way better! That said, I use the Soniccouture Canterbury Suitcase most often. To my ears the Classic EP88 sounds better. Scarbee’s earlier A200 is 850 MB. The Classic EP-88S is 5.6 GB with 30 velocity layers. Are you or anyone else finding this velocity issue w/ the two Bs?Īpparently the Famous E hiss has been fixed. but nothing about a fix for the sudden change in velocity from Bb3 to B3 as reported in that first link up there. He also reported excessive hiss that made the OTS Famous E unusable to him, but if you look at this thread here starting w/ this post , on page 2 Greg from OTS responded and commented on the hiss issue, and towards the end of that second page both Virtuoso and Greg confirm that to his issue has been fixed. You seeing this problem that this guy Virtuoso reported where there's a sudden change between Bb3 and B3? You can see his post and audio example here
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